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Arts > Photo > 20th, 21st century > USA > Robert Adams
Photograph: Robert Adams
Sunlit Apocalypse: The Imperiled World of Robert Adams In a magisterial survey at the National Gallery of Art, the photographer discerns poetry even in degraded Western landscapes. NYT July 13, 2022
https://www.nytimes.com/2022/07/13/
North-east of Keota, Colorado, 1969.
Photograph: Robert Adams Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York.
American beauty: Robert Adams's The Place We Live – in pictures Robert Adams has spent decades capturing the American west in black-and-white – its diners and its oil fields, its lonely souls and lost highways. Here’s a selection of the best images from a new retrospective of his work in Paris G Mon 24 Feb 2014 17.33 GMT
https://www.theguardian.com/artanddesign/gallery/2014/feb/24/
Larimer County, Colorado, 1977.
Photograph: Robert Adams Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York.
American beauty: Robert Adams's The Place We Live – in pictures Robert Adams has spent decades capturing the American west in black-and-white – its diners and its oil fields, its lonely souls and lost highways. Here’s a selection of the best images from a new retrospective of his work in Paris G Mon 24 Feb 2014 17.33 GMT
https://www.theguardian.com/artanddesign/gallery/2014/feb/24/
‘Beauty, which I admit to being in pursuit of, is an extremely suspect word among many in the art world,’ he says.
Photograph: Robert Adams
‘But I don’t think you can get along without it. Beauty is the confirmation of meaning in life. It is the thing that seems invulnerable, in some cases, to our touch. And who would want to do without beauty? There’s something perverse about ruling out beauty’ G Thu 7 Apr 2016 07.00 BST
https://www.theguardian.com/artanddesign/gallery/2016/apr/07/
Photograph: Robert Adams
Sunlit Apocalypse: The Imperiled World of Robert Adams In a magisterial survey at the National Gallery of Art, the photographer discerns poetry even in degraded Western landscapes. NYT July 13, 2022
https://www.nytimes.com/2022/07/13/
Pikes Peak, Colorado Springs, Colorado, 1969.
Photograph: Robert Adams Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York.
American beauty: Robert Adams's The Place We Live – in pictures Robert Adams has spent decades capturing the American west in black-and-white – its diners and its oil fields, its lonely souls and lost highways. Here’s a selection of the best images from a new retrospective of his work in Paris G Mon 24 Feb 2014 17.33 GMT
https://www.theguardian.com/artanddesign/gallery/2014/feb/24/
Eden, Colorado, 1968.
Photograph: Robert Adams Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York.
American beauty: Robert Adams's The Place We Live – in pictures Robert Adams has spent decades capturing the American west in black-and-white – its diners and its oil fields, its lonely souls and lost highways. Here’s a selection of the best images from a new retrospective of his work in Paris G Mon 24 Feb 2014 17.33 GMT
https://www.theguardian.com/artanddesign/gallery/2014/feb/24/
North Denver, Colorado, 1973 gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm] https://fraenkelgallery.com/artists/robert-adams
Photograph: Robert Adams
Sunlit Apocalypse: The Imperiled World of Robert Adams In a magisterial survey at the National Gallery of Art, the photographer discerns poetry even in degraded Western landscapes. NYT July 13, 2022
https://www.nytimes.com/2022/07/13/
Colorado Springs, Colorado, 1969.
Photograph: Robert Adams Courtesy Fraenkel Gallery, San Francisco and Matthew Marks Gallery, New York.
American beauty: Robert Adams's The Place We Live – in pictures Robert Adams has spent decades capturing the American west in black-and-white – its diners and its oil fields, its lonely souls and lost highways. Here’s a selection of the best images from a new retrospective of his work in Paris G Mon 24 Feb 2014 17.33 GMT
https://www.theguardian.com/artanddesign/gallery/2014/feb/24/
Photograph: Robert Adams
Sunlit Apocalypse: The Imperiled World of Robert Adams In a magisterial survey at the National Gallery of Art, the photographer discerns poetry even in degraded Western landscapes. NYT July 13, 2022
https://www.nytimes.com/2022/07/13/
“Longmont, Colorado,” 1977, could be a poster for suburban disillusionment.
Photograph: Robert Adams via Fraenkel Gallery, San Francisco
Sunlit Apocalypse: The Imperiled World of Robert Adams In a magisterial survey at the National Gallery of Art, the photographer discerns poetry even in degraded Western landscapes. NYT July 13, 2022
https://www.nytimes.com/2022/07/13/
Robert Adams
https://fraenkelgallery.com/artists/
https://www.npr.org/2022/08/12/
https://www.nytimes.com/2022/07/13/
https://www.nytimes.com/2018/10/25/
https://www.theguardian.com/artanddesign/gallery/2016/apr/07/
http://www.theguardian.com/artanddesign/gallery/2016/apr/07/
http://www.theguardian.com/artanddesign/gallery/2014/feb/24/
https://www.theguardian.com/artanddesign/2014/feb/24/
https://www.npr.org/sections/pictureshow/2012/03/14/
https://www.theguardian.com/artanddesign/gallery/2012/feb/16/
https://www.theguardian.com/artanddesign/2012/feb/16/
https://www.theguardian.com/artanddesign/2010/aug/04/
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